Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Giovanni Francesco Barbieri Called Il Guercino
Hercules bust

ID: 58431

Giovanni Francesco Barbieri Called Il Guercino Hercules bust
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Giovanni Francesco Barbieri Called Il Guercino Hercules bust


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Giovanni Francesco Barbieri Called Il Guercino

Cento 1591-Bologna 1666  Related Paintings of Giovanni Francesco Barbieri Called Il Guercino :. | Pegwell Bay | A Muslim Warrior Adoring the Infant Christ and the Virgin | Fischerfamilie am nachtlichen Lagerfeuer mit aufgewuhlten Meer | Deliverance of Genoa by the Second Marquis of Santa Cruz (df01) | Titania liebkost den eselkopfigen Bottom |
Related Artists:
William Small
British , 1843 - 1929
Johann Hulsmann
(1600 -1660 ) - Painter
Bartolomeo Montagna
Orzinuovi ca 1450-Vicenza 1523 .Painter and draughtsman. Montagna is first documented in 1459 in Vicenza as a minor and, still a minor, in 1467. In 1469 he is recorded as a resident of Venice. In 1474 he was living in Vicenza where, in 1476 and 1478, he was commissioned to paint altarpieces (now lost). He has variously been considered a pupil of Andrea Mantegna (Vasari), Giovanni Bellini, Antonello da Messina, Alvise Vivarini, Domenico Morone and Vittore Carpaccio. While none of these artists, except Carpaccio, was irrelevant to Montagna's stylistic formation, scholars agree that Giovanni Bellini was the primary influence on his art. He may have worked in Bellini's shop around 1470. Several of Montagna's paintings of the Virgin and Child in which the influence of Antonello da Messina is especially marked (e.g. two in Belluno, Mus. Civ.; London, N.G., see Davies, no. 802) are likely to be close in date to Antonello's sojourn in Venice (1475-6); they are therefore best considered Montagna's earliest extant works (Gilbert, 1967) rather than as an unexplained parenthesis around 1485 between two Bellinesque phases (Puppi, 1962). These early paintings appear to be followed by others in which the geometrically rounded forms derived from Antonello become more slender and sharper-edged. Their figures are imbued with a deeply felt, individual humanity, sometimes austere and minatory, sometimes tender. Among them are some larger-scale works,






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